Performances of THE MOUNTEBANKS are reasonably rare these days. Although the opera clocked up a very respectable initial run at the Lyric Theatre in 1892, and despite subsequent amateur productions, with the destruction of much of the performance material in the fire at Chappell's warehouse in 1964, the ability to stage the opera was compromised.
Initially this seemed to be not too serious as there were enough vocal scores and libretti in libraries and in private hands, and there was also a set of band parts with D'Oyly Carte - although no one seems quite sure why as the work was never a D'Oyly Carte piece.
However, in 1964 the Lyric Theater of Washington hired the band parts to stage a production and when the parts were sent back one of the packages went missing, never to reappear, effectively rendering what remained as useless.
Thankfully, the Lyric Theater went into the recording studio before the parts were returned.
This 2 CD set has been reissued by the American company House of Opera and may be ordered via the internet. Click here. The set is currently priced at USD 9.25 plus International First Class postage - the sterling price varies in accordance with the exchange rate, but this is an incredibly attractive price for such a rarity. There is no tracklisting provided with these CD's so we have provided one at the bottom of this review.
It has to be said that the performance is characterised by some strong American accents and a rather laboured, stilted style of dialogue which many will find hard to listent to, however, the dialogue is tracked separately and may be programmed out or skipped as desired. Musically this is an acceptable performance and does go to show that there is an enjoyable work here which would be well worth the effort of revival.
Musical highlghts have to be the "Put a penny in the slot" duet for Nita (a dancer) and Bartolo (a clown) who have been transformed into life-size automated figures of Ophelia and Hamlet. Their trio later in Act Two, "Ophelia was a dainty little maid", sung with Pietro (the chief mountebank) is also a delightful number.
Certainly with the resources of the internet (you will find both the original Chappell vocal score and a newly typeset combined score and libretto in the Resources area of this web site) and the recent creation of a new set of band parts, performances of this delightful work are, once more, a possibility.
To listen to "Put a penny in the slot", click here.
To listen to "Ophelia was a dainty little maid", click here.
Lyric Theatre of Washington – THE MOUNTEBANKS |
Track Listing |
CD 1 | | Chappell VS Page No |
Track | | |
| | |
1 | Overture (from Cellier’s Suite Symphonique) | N/A |
Act One | | |
2 | The Chaunt of the Monks | 1 |
3 | Dialogue | |
4 | Come all the maidens | 7 |
5 | If you please | 12 |
6 | Dialogue | |
7 | Only think, a Duke and Duchess | 16 |
8 | Dialogue | |
9 | High Jerry Ho! | 21 |
10 | Teresa – Bedecked in fashion trim | 26 |
11 | Dialogue | |
12 | It’s my opinion | 31 |
13 | Dialogue | |
14 | Upon my word, Miss | 34 |
15 | Dialogue | |
16 | Fair maid, take pity | 45 |
17 | Tabor and drum | 54 |
18 | Dialogue | |
19 | Reprise – Now that’s the kind of merriment | 60 |
20 | Dialogue | |
21 | Dialogue | |
22 | Those days of old | 61 |
23 | Allow that the plan I devise | 62 (last line) |
24 | Oh luck unequalled | 67 |
25 | Ah, cruel one | 71 (line 3 bar 5) |
26 | Now, listen to me, dear | 73 (line 3) |
27 | Duped! Rejected! | 76 |
28 | Come and take your places all | 77 |
29 | Allow me, madam | 79 (line 3) |
30 | Attamen ex cunctis | 82 |
31 | Oh you wicked | 83 (line 2) |
32 | Now all you pretty villagers | 89 |
33 | Astonishing what science can contrive | 90 (line 4) |
| | |
CD 2 | | |
Track | | |
| | |
1 | Entr’acte | 102 |
| | |
Act Two | | |
2 | Dialogue | |
3 | I’d be a young girl if I could | 103 |
4 | Dialogue | |
5 | All alone to my eerie | 107 |
6 | Dialogue | |
7 | If I can catch this jolly Jack-Patch | 109 |
8 | If our action’s stiff and crude` | 111 |
9 | Dialogue | |
10 | Where gentlemen are eaten up with jealousy | 114 |
11 | When your clothes (attrib: Ivan Caryll) | |
12 | Time there was when earthly joy | 118 |
13 | After a weary search | 122 (line 2) |
14 | Ah! What does this mean? | 128 |
15 | Dialogue | |
16 | The Duke and Duchess hither wend their way | 138 |
17 | Dialogue | |
18 | Where’s my Duck-a-deary? | 145 |
19 | Dialogue | |
20 | In days gone by | 146 |
21 | In days gone by (verse 2) | 146 |
22 | So, I have found you | 147 (line 3) |
23 | An hour will soon have past | 148 (line 3) |
24 | An hour? Nay, nay. | 152 |
25 | When hungry cat | 153 (line 3) |
26 | Oh, please you not to go away | 155 |
27 | May it please your Graces | 158 |
28 | There’s only one thing to be done | 162 (line 2) |
29 | It’s bad enough | 168 (line 2) |
30 | Dialogue | |
31 | Ophelia was a dainty little maid | 171 |
32 | Hope lived | 174 |
33 | Ha! False one! | 175 (line 2) |
34 | Hold! Stay thy hand | 177 |
35 | Now, what is this | 178 |
36 | The Duke and the Duchess | 182 |